Editorial Photos
For Magazines, Brands and Business Leaders
When the story matters more than the pose
Editorial photography isn’t about asking someone to perform for the camera. It’s about observing what’s already there — the way someone works, moves, or occupies a space.
The strongest editorial photos come from moments that feel unforced, where the subject is absorbed in what they’re doing rather than aware of being photographed.
When you want honesty, not polish
Editorial photography values credibility over perfection. It allows for texture, imperfection, and ambiguity — details that make an image feel real rather than constructed.
The aim is not to idealise, but to reflect someone as they are, in a way that feels truthful and recognisable.
Read more about this shoot on my Blog, here…
When context is part of the narrative
People don’t exist in isolation, and neither should editorial images. The surroundings — a studio, a workshop, a place of work — often say as much as the subject themselves.
Including context allows a photograph to carry information quietly, without explanation or instruction.
When images need to work as part of a wider story
Editorial photographs are rarely standalone. They sit alongside words, design, and layout, and need to hold their own without overpowering the story.
Calm composition, natural light, and considered framing ensure the images support the narrative, adding depth, not distraction.